Adobe needed to ensure both vector-based and bitmap-based masks could work together on the same image within the new masking engine. Lighter and darker values represent different amounts of selection. However, 'new AI-based masks, however, require bitmap, or image-based, support.' The AI-based masks create a grayscale image. This required only small amounts of data.
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Adjustments made via brush or gradient were stored in the software as mathematical expressions. The old selection technologies were vector-based.
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Working AI-based selection tools into the ACR/Lightroom masking engine required considerable work, especially when considering how to get the tools to operate within Lightroom on mobile devices. The discussions took place over about a year and a half period. To ensure that a core reworking made sense for its customers, Adobe reached out to tens of thousands of customers across ACR, Lightroom and Lightroom Classic userbases and talked to them about selective adjustment tools. 'The new Select Subject tool automatically creates a precise mask of the salient subject with a single click, and works on people, animals, and inanimate objects.' Image and caption credit: Adobe
The imaging processing engine in ACR and Lightroom was incompatible, so the engine needed to be reworked at a foundational level. These tools have been well-received, so the Adobe Research Team got to figure out how to incorporate these tools into ACR and Lightroom. It'll help ensure that you can build upon the skills in each lesson and then get the overall best results.The impetus for redesigned masking tools was brought on, at least in part, but AI-powered selection tools such as Select Subject and Sky Replacement in Adobe Photoshop. This is an in-depth course, and I would strongly encourage you to watch it in a linear fashion if at all possible. Plus, we'll take a look at some important workflow options that decide how your raw files are going to be opened into other applications. Plus, we'll take a look at newer workflows of being able to merge panoramic images and HDR images, which can generate new raw files that give you even more versatility. We'll also take a look at some advanced controls that allow you to fix flaws and bring out the best overall details in your photograph. You'll also learn about saving your own presets and snapshots so you can easily store your work and explore different options as you develop a photograph. We'll talk about the camera calibration tab, and I'll also show you how to access older versions of the Camera Raw interface in case you load up an older edit. Plus, I'll show you how to add those vignettes back in if you're looking for a more stylized approach to really guide the viewers. And we'll talk about removing some flaws that could be caused by the lens itself, such as distortion or vignetting. We'll then take a look at popular techniques for color grading, which allow you to emphasize certain colors in the shadows and highlights to bring about a mood for the photograph. And we'll explore the versatile HSL command, which targets the hue, saturation, and luminance values of specific colors that really allow you to refine the look.
We'll then add in detail, the important steps of sharpening the image to enhance edges as well as remove noise. We'll then move on to curves, which allow for more precision allowing for specific points of adjustment that really allow you to target a specific area. We'll then start with the basic adjustments affecting the overall tone of the image and its color. I'll then walk you through how all these raw edits are stored inside current files or in a database. We'll then explore the many different ways of accessing Camera Raw from traditional options like Photoshop and Lightroom Classic to other options such as Adobe Bridge, Lightroom and After Effects. Then we'll take a look at the Camera Raw interface, making sure you're familiar with its core elements so you can take advantage of all of its controls.
To start things out, we'll take a look at what is a raw file, making sure that you understand the specifics and the benefits of working with raw files. This is the engine that's at the heart of all of Adobe's photo editing software. And in this course, we're going to explore all the techniques that you'll need to master Adobe Camera Raw.
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